Intertext with the poet Youssef Nofal

•The intertextuality is not entirely new, as was stated in modern monetary studies, but it is a term with origins. The linguistic meaning of the term "the text" is not far from the meaning of the term used by many. The author invokes another creative process, which was suspended accordingly when it was defined by Dr. Yusuf Nofal, and showed its types of religious, mythological, historical and literary, and also stood on the most important conditions that distinguish him from other similar terms, including entering the code in the texts prepared, The code of an effective technician makes the author and receiver provide With him, and showed the importance of convergence when Dr. Yousef Nofal in it is a link to the past present and call him and criticism of him also. •What distinguishes Dr. Yousef Nofal from others who spoke about the symmetry that he made to use the warnings of use, when dealing with the Koranic format, as it does not interact and embrace and not address with this format, but the quote and inclusion and simulation and proximity to it. •The impact of criticism on the harmony in Dr. Youssef Nofal's poetry has been manifested in three aspects. First, the concept of compatibility with literary, mythical and historical employment is used, so that the harmony carries the meaning of approval and violation and the combination of present and absent texts. Between his approval and his violation. Accordingly, the use of Dr. Yusuf Nofal for literary, mythical and historical employment, as he looked at criticism, applied poetry. •The use of the concept of quotation with the Koranic format, because he pointed out in his criticism not to use the term synonym with the Koranic form of the term of the interaction may be confused or mingled between consent and violation, and the Koranic format not interact with it, but rather submission and surrender in the The concept of citation carries meaning. •The musical harmony is different from the objections. The opposition has a clear and explicit presence of the previous text in the following text, and a simulation of it, as Shawki opposed Bursairi's