Theatrical Fiction in "The Chairs" by Ionesco and "Hilda" by Ndiaye

Document Type : Original Article

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French department, Faculty of Education, Alexandria University

Abstract

The aim of this article is to compare fictional plays in theatre and cinema. We adopt a comparative approach to these two types of art in order to highlight the singularity of each. In the remainder of the study, we take a theatrical approach, exploring its specificities, origins, evolution and tropes. We then analyze two major plays from different periods, Eugène Ionesco's “The Chairs” and Marie Ndiaye's “Hilda”, to gain a better understanding of the progressive development of theatrical fiction. In this project of methodical analysis, we seek to clarify the similarities and dissimilarities of the symbolic interpretation of each to prove the deconstruction of reality and logic. By manipulating space, lighting, costumes, protagonists, speech, rhythm and music, directors transpose the meaning of fictional works, creating a uniquely immersive theatrical experience that provokes a range of emotional and intellectual responses. Finally, we conclude that by incorporating meditations on the human condition, exploiting dream worlds, incessantly innovating and delving into new avenues, this genre contributes to awakening reflections on social debates and investigating the resulting moral dilemmas.

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